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From Bach to Chopin


Originally published 12:00 p.m., March 1, 2007
Updated 05:11 p.m., March 5, 2007
By James Donelan
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Acclaimed Pianist Murray Perahia Plays Campbell Hall

by James Hanley Donelan

Murray_Perahia.jpgMurray Perahia, who holds the position of principal guest conductor of the Academy of St. Martin in the Fields, remains one of the most traveled and best known American pianists, successfully combining scholarly attention to the music with passionate performance. In particular, his interpretations of Bach have brought him worldwide acclaim, including a Grammy for his recording of the English Suites, as well as other awards for his recordings of the Goldberg Variations, the Keyboard Concertos, and Brandenburg Concerto No. 5. In 2002, he won the Grammy for his recording of the Chopin Études.

Perahia is from New York, and he spent his formative years with some of the greatest musicians of the 20th century. He had a close friendship with Vladimir Horowitz — who took no students — and collaborated with Rudolf Serkin, Pablo Casals, and the Budapest String Quartet, along with many other notable performers.

Recently, Perahia has extended his ambitions beyond the piano and into the worlds of conducting and scholarly editing. A hand injury in the 1990s temporarily forced him to stop playing, and he had to hear music from a different perspective; he returned from this hiatus with renewed insight. Today he frequently appears as both soloist and conductor with the Academy of St. Martin in the Fields and other orchestras, taking on a challenge that relatively few would dare. Conducting from the keyboard requires supreme concentration and graceful movement, both of which Perahia has to spare.

Most recently, he has decided to edit the complete Beethoven sonatas for the Henle Urtext Edition, a job that a full-time musicologist would find daunting. Essentially, he has taken responsibility for determining what the Beethoven sonatas really are — every note of them. For a performer with a grueling travel schedule, this task will be an extraordinary achievement, but only a performer of his caliber would truly know how to do it.

When he comes to Campbell Hall next week, Perahia will play one of Beethoven’s most interesting sonatas, No. 15 in D Major, known as the “Pastoral.” It is the last in Beethoven’s early style, full of ease and grace. Perahia will also play Schumann’s Fantasiestücke, Chopin’s Ballade No. 4, and Bach’s Partita No. 2. His interpretations of these works rank among the best of all time, combining both polish and depth. Don’t miss your chance to hear him.

4•1•1

Pianist Murray Perahia plays UCSB’s Campbell Hall on Wednesday, March 7 at 8 p.m. For tickets and more information call 893-3535 or visit www.artsandlectures.ucsb.edu.

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